Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Examination at 90s Rave Culture

The work of Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher denying his container of cider, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film is in UK and Irish cinemas from November 17.

John Park
John Park

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